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Righteous Kill (2008)
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Overview
User Rating:
Release Date:
12 September 2008 (USA) moreTagline:
Most people respect the badge. Everybody respects the gun. morePlot:
Two veteran New York City detectives work to identify the possible connection between a recent murder and a case they believe they solved years ago; is there a serial killer on the loose, and did they perhaps put the wrong person behind bars? full summary | full synopsisPlot Keywords:
moreNewsDesk:
(142 articles)
Put A Fork In Him (From New York Post. 27 November 2008, 12:07 AM, PST)
Edward Shearmur: Bride Wars
(From Upcoming Film Scores. 24 November 2008, 2:27 AM, PST)
User Comments:
Like Lennon and McCartney... sure, if not with the best director moreUS Showtimes:
(register to personalize)Cast
(Cast overview, first billed only)| Robert De Niro | ... | Turk | |
| Al Pacino | ... | Rooster | |
| 50 Cent | ... | Spider (as Curtis Jackson) | |
| Carla Gugino | ... | Karen Corelli | |
| John Leguizamo | ... | Det. Simon Perez | |
| Donnie Wahlberg | ... | Det. Ted Riley | |
| Brian Dennehy | ... | Lieutenant Hingis | |
| Trilby Glover | ... | Jessica | |
| Saidah Arrika Ekulona | ... | Gwen Darvis (as Saidah Arrika) | |
| Alan Rosenberg | ... | Stein | |
| Sterling K. Brown | ... | Rogers | |
| Barry Primus | ... | Dr. Prosky | |
| Melissa Leo | ... | Cheryl Brooks | |
| Alan Blumenfeld | ... | Martin Baum | |
| Oleg Taktarov | ... | Yevgeny Mugalat |
Additional Details
MPAA:
Rated R for violence, pervasive language, some sexuality and brief drug use.Parents Guide:
View content advisory for parentsRuntime:
101 minCountry:
USAColor:
ColorAspect Ratio:
2.35 : 1 moreCertification:
UK:15 | Ireland:15A | Finland:K-15 | USA:R (certificate #44434) | Norway:15 | Sweden:15 | Brazil:14 | Portugal:M/16 (Qualidade) | Portugal:M/16 | Argentina:18MOVIEmeter: 
Fun Stuff
Trivia:
In the first movie Pacino and DeNiro stared together, _The Godfather: Part II (1974)_, they both played gangsters. In their second movie Heat (1995), Pacino was a Cop, and DeNiro was a gangster. In this, their third movie together, they are both cops. moreGoofs:
Crew or equipment visible: When Karen Corelli goes up to her apartment with the feeling that she is being followed, we can see the shadow of the cameraman just before she steps up the first step leading to her door. moreQuotes:
Rooster: So long, Tom.Turk: Where are you going?
Rooster: I dunno. To hell, I suppose.
more
Soundtrack:
We Fly High moreFAQ
A NOTE REGARDING SPOILERSHow much sex, violence, and profanity are in this movie?
Is "Righteous Kill" based on a book?
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Righteous Kill is a kind of prototypical modern cop thriller that has the intonations of a neo-noir mixed in with some iconic figures. The script, in a way, is much better than I might have thought, and the actors- stars Robert De Niro and Al Pacino, in a film technically for the third time and for the first time technically in the frame for more than a few seconds (a pressure obviously from those who whined about their bit at the diner in Heat) as well as the likes of Brian Denehey and Carla Gugino- do their best to make it an entertaining ride. And for all of its recycled elements and plot turns and tough-guy take-no-s*** dialog, it's a fun ride for what it's worth as far as substance goes. You want to see what will happen with these two veteran cop characters as they delve deeper into this killer case (somewhat ripped off from Magnum Force, or something like that in terms of the victims), and what the "twist" will ultimately be.
For those who might think it tired or stiff, I wouldn't put any real blame on the stars, or even Gerwitz's (flawed) screenplay, which does occasionally pull off dark and funny banter and some coarse dialog and action and thrills to the degree that one saw in his Inside Man script. The problem mostly was the direction; Jon Avnet is not a visionary, nor is he a really well-suited neo-noir director. He's just a competent technician (if not veerying close to outright hack) enough to dig up a few potent bits or visual touches, and mostly tries to make the film "hip" and "fresh" and "inventive" with the approach to style in the flashbacks, and he doesn't possibly bypass the pitgalls in Gerwitz's script. What is pleasing, ultimately, about the picture is that it's not bad at all, and is actually a good movie. But with characters played by near generational icons dubbed in the film as "like Lennon and McCartney", this isn't quite up to their previous snuff together. They deserve just a little better with the likes of Godfather 2 and Heat to their previous collaborations.