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All the Boys Love Mandy Lane (2006)
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Overview
User Rating:
Release Date:
15 February 2008 (UK) moreTagline:
There's something about Mandy all the boys love. morePlot:
A group of high schoolers invite Mandy Lane (Amber Heard), a good girl who became quite hot over the summer, to a weekend party on a secluded ranch. While the festivities rage on, the number of revelers begins to drop quite mysteriously. full summary | full synopsisAwards:
1 nomination moreNewsDesk:
(10 articles)
Afm '08: Sony Acquires 'Splice', 'Clock Tower' and 'Mandy Lane'! (From Bloody-Disgusting.com. 7 November 2008, 10:32 AM, PST)
Hopefully 'Mandy Lane' Won't Be Too Old When Released
(From Bloody-Disgusting.com. 1 September 2008, 10:16 AM, PDT)
User Comments:
Mandy laid ... moreCast
(in credits order) | Amber Heard | ... | Mandy Lane |
 | Anson Mount | ... | Garth |
 | Whitney Able | ... | Chloe |
 | Michael Welch | ... | Emmet |
| Edwin Hodge | ... | Bird |
 | Aaron Himelstein | ... | Red |
 | Luke Grimes | ... | Jake |
 | Melissa Price | ... | Marlin |
 | Adam Powell | ... | Dylan |
 | Peyton Hayslip | ... | Aunt Jo |
 | Brooke Bloom | ... | Cousin Jen |
| Robert Earl Keen | ... | Keg Trucker |
Directed by | |||
| Jonathan Levine | |||
Writing credits(in alphabetical order) | ||
| Jacob Forman | written by | |
Produced by | |||
| Keith Calder | .... | executive producer | |
| Chad Feehan | .... | producer | |
| Felipe Marino | .... | producer | |
| Joe Neurauter | .... | producer | |
| Brian Udovich | .... | co-producer | |
Original Music by | |||
| Mark Schulz | |||
Cinematography by | |||
| Darren Genet | |||
Film Editing by | |||
| Josh Noyes | |||
Casting by | |||
| Deanna Brigidi | |||
| Nick Schutt | |||
Production Design by | |||
| Thomas S. Hammock | |||
Art Direction by | |||
| Megan Hutchison | |||
Costume Design by | |||
| Michelle Lynette Bush | |||
Makeup Department | |||
| Stacey Pridham | .... | assistant makeup artist | |
| Charmaine Richards | .... | key hair stylist | |
| Joe Rivera | .... | key makeup artist | |
| Galaxy San Juan | .... | special makeup effects artist: Los Angeles Unit | |
Second Unit Director or Assistant Director | |||
| Meg Beatty | .... | first assistant director | |
| Mary Beth Meadows | .... | second assistant director | |
| Debra Trevino | .... | second second assistant director | |
Art Department | |||
| Lucas Amann | .... | set dresser | |
| Elaine DeWitt | .... | art department assistant | |
| Jennifer Hallmark | .... | art department coordinator | |
| Dan Hooker | .... | construction coordinator | |
| Raymond Mata | .... | art department assistant | |
| Stephen Mayes | .... | set dresser | |
| Ben McGinnis | .... | art department assistant | |
| Minhchau Nguyen | .... | art department production assistant | |
| Joy Phillips | .... | prop buyer | |
| Morrison Pierce | .... | scenic painter | |
| Meriwether Tull | .... | art department assistant | |
Sound Department | |||
| Michael Baird | .... | supervising sound designer | |
| Buckner Cooke | .... | sound mixer | |
| Brent Findley | .... | assistant sound editor | |
| Garret Gray | .... | boom operator | |
| Scott Hinkley | .... | sound re-recording mixer | |
| David Hughes | .... | assistant adr recordist | |
| Cody King | .... | foley editor | |
| Richard Kitting | .... | sound recordist | |
| Andrew Morgado | .... | adr foley mixer | |
| Walter Spencer | .... | dialog & adr editor | |
| Vicki Vandegrift | .... | foley artist | |
| Jonathan Wales | .... | sound re-recording mixer | |
| Christoph Wörndle | .... | sound FX recordist | |
Special Effects by | |||
| Craig Byrom | .... | special effects foreman | |
| Everett Byrom III | .... | special effects coordinator | |
| Doug Field | .... | special effects technician | |
Visual Effects by | |||
| David Kashevaroff | .... | end credits sequence | |
| Steven LaMorte | .... | visual effects: opening titles | |
| Allan Nadel | .... | digital compositor | |
| Emil Kahr Nilsson | .... | visual effects: titles | |
| Nuncle | .... | opening titles | |
Stunts | |||
| Jeff Schwan | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Wes Ahl | .... | electrician | |
| Brad Allen | .... | grip | |
| Richard Beltran | .... | grip | |
| Tony J. Brummer | .... | gaffer | |
| Olice Certain | .... | best boy grip | |
| Eric Cunningham | .... | best boy electric | |
| John Eschberger | .... | grip | |
| Gerard Martin | .... | film loader | |
| Michael Nie | .... | gaffer: re-shoots | |
| Clayton Null | .... | key grip | |
| Mike Osborne | .... | still photographer | |
| Paul Pryor | .... | second assistant camera | |
| Brandon Roberts | .... | grip | |
| Jeremy Shirk | .... | electrician | |
| Wes Turner | .... | second assistant camera | |
| Conner Vandeer | .... | Steadicam operator | |
| Nathanael Vorce | .... | grip | |
| William S. White | .... | first assistant camera | |
Costume and Wardrobe Department | |||
| Monica Robb | .... | set costumer | |
| Jennifer Schossow | .... | wardrobe supervisor | |
Editorial Department | |||
| Patrick Bellanger | .... | on-line editor | |
Music Department | |||
| Mark Denis | .... | score mixer | |
| Henry Self | .... | music supervisor | |
Other crew | |||
| Elizabeth Abrams | .... | production coordinator | |
| Ken Beggs | .... | head animal trainer | |
| Victor Brunette | .... | technical services | |
| Anne Carr | .... | script supervisor | |
| Bobbi Colorado | .... | animal coordinator | |
| Greg Deist | .... | production assistant | |
| Elaine DeWitt | .... | production assistant | |
| Ricardo Diaz | .... | production assistant | |
| Vanessa Gaitan | .... | production assistant | |
| Chris Harding | .... | assistant to producers | |
| Andrea Johnson | .... | script supervisor | |
| Peter L. Kaufman | .... | legal services | |
| Brian Massingill | .... | key set production assistant | |
| Minhchau Nguyen | .... | production assistant | |
| Stefan Wilcox | .... | armorer | |
Thanks | |||
| Harmon Kaslow | .... | special thanks | |
| Dane Allan Smith | .... | thanks | |
Production CompaniesDistributors
- Ascot Elite Entertainment Group (2008) (Switzerland) (theatrical)
- Future Film (2008) (Finland) (all media)
- Golden Village Entertainment (2008) (Singapore) (theatrical)
- Midget Entertainment (2008) (Denmark) (all media)
- Moonlight Films (2008) (Netherlands) (theatrical)
- Optimum Releasing (2008) (UK) (theatrical)
- Senator Film (2008) (Germany) (theatrical)
- Nuncle (visual effects)
- Cavalry Technology Partners internet services
- Chapman/Leonard Studio Equipment camera cranes
- Chapman/Leonard Studio Equipment camera dollies
- Chapman/Leonard Studio Equipment remote camera systems
- Nuncle design and animation
- Sonic Magic sound post-production
Additional Details
MPAA:
Rated R for strong disturbing violence, pervasive drug and alcohol use, sexuality/nudity and language - all involving teens.Parents Guide:
View content advisory for parentsRuntime:
Canada:88 min (Toronto International Film Festival) | USA:90 minCountry:
USALanguage:
EnglishColor:
ColorAspect Ratio:
2.35 : 1 moreSound Mix:
Dolby DigitalCertification:
Ireland:18 | USA:R | Netherlands:16 | Singapore:NC-16 | UK:18 | Germany:18 | Sweden:15 | Finland:K-18MOVIEmeter: 
15% since last week
why?
Fun Stuff
Trivia:
Writer Jacob Forman and production designer Thomas S. Hammock play the firework salesmen. moreGoofs:
Continuity: In the night Chloe wrote with magnet-letters "Chloe is hot" on the fridge. Next morning the letters are mixed up. moreQuotes:
Marlin: [Marlin is cutting Ritalin on the counter. Marlin and Chloe snort it] Thank God for little brothers with ADD.Chloe: Yeah, how's that working out for him? Has his behavior improved?
Marlin: I know mine has.
more
Soundtrack:
Green Zone moreFAQ
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... that is how much the Boys love Mandy Lane. But of course this is not another teen ... I mean romantic movie. Nope this is a horror movie. A slasher to be precise. Now slashers do live with two premises: Either a great twist or original killings. In this case, you kinda have both.
At that is what makes this movie worthwhile watching. Of course it is aimed more at the teen/twen audience, but what slasher isn't. The really illogical things that do happen, stay at a minimum, which is a good thing and the actors fit the bill(their roles), no more, no less than that. If you don't like slashers at all, you should of course stay away from this movie!