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WALL·E (2008)
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Overview
User Rating:
Release Date:
27 June 2008 (USA) moreTagline:
An Adventure Beyond the Ordinar-E morePlot:
In the distant future, a small waste collecting robot inadvertently embarks on a space journey that will ultimately decide the fate of mankind. full summary | full synopsisAwards:
Nominated for 2 Golden Globes. Another 11 wins & 16 nominations moreNewsDesk:
(93 articles)
Hathaway + Streep Tie At Critics' Choice Awards (From WENN. 8 January 2009, 8:45 PM, PST)
The Dark Knight Cleans Up At People's Choice Awards
(From WENN. 7 January 2009, 11:15 PM, PST)
User Comments:
Awesome new Pixar feature on its way to amaze yet again moreUS Showtimes:
(register to personalize)Cast
(in credits order) | Ben Burtt | ... | WALL·E / M-O (voice) |
| Elissa Knight | ... | EVE (voice) |
| Jeff Garlin | ... | Captain (voice) |
 | Fred Willard | ... | Shelby Forthright - BnL CEO |
| MacInTalk | ... | AUTO (voice) |
 | John Ratzenberger | ... | John (voice) |
 | Kathy Najimy | ... | Mary (voice) |
 | Sigourney Weaver | ... | Ship's Computer (voice) |
| rest of cast listed alphabetically: | |||
 | Kim Kopf | ... | Hoverchair Mother (voice) |
 | Garrett Palmer | ... | Blond Boy in BnL Commercial (voice) (uncredited) |
 | Kai Steel Smith | ... | Brown haired boy in BnL commercial (uncredited) |
Directed by | |||
| Andrew Stanton | |||
Writing credits | ||
| Andrew Stanton | (original story) & | |
| Pete Docter | (original story) | |
| Andrew Stanton | (screenplay) & | |
| Jim Reardon | (screenplay) | |
Produced by | |||
| Lindsey Collins | .... | co-producer | |
| John Lasseter | .... | executive producer | |
| Gillian Libbert | .... | line producer | |
| Jim Morris | .... | producer | |
| Thomas Porter | .... | associate producer | |
Original Music by | |||
| Thomas Newman | |||
Film Editing by | |||
| Stephen Schaffer | |||
Casting by | |||
| Natalie Lyon | |||
| Kevin Reher | |||
Production Design by | |||
| Ralph Eggleston | |||
Makeup Department | |||
| Gretchen Davis | .... | key makeup artist | |
Production Management | |||
| Joshua Hollander | .... | production manager | |
| Andrea Warren | .... | production manager | |
Art Department | |||
| James S. Baker | .... | storyboard artist | |
| Bert Berry | .... | art director: shading | |
| Zoe Boxer | .... | production coordinator | |
| Anthony B. Christov | .... | art director: set (as Anthony Christov) | |
| Jason Deamer | .... | art director: characters | |
| Ricardo F. Delgado | .... | development artist | |
| Brian Fee | .... | storyboard artist | |
| Mark Cordell Holmes | .... | art director: graphics | |
| Angus MacLane | .... | production artist | |
| Angus MacLane | .... | storyboard artist | |
| Becky Neiman | .... | graphics | |
| Becky Neiman | .... | production coordinator | |
| Kevin O'Brien | .... | storyboard artist | |
| Justin Wright | .... | storyboard artist | |
Sound Department | |||
| Chris Barron | .... | digital sound transferer (as Christopher Barron) | |
| Ben Burtt | .... | character voice designer | |
| Ben Burtt | .... | sound designer | |
| Ben Burtt | .... | sound re-recording mixer | |
| Ben Burtt | .... | supervising sound editor | |
| Sean Byrne | .... | sound re-recordist | |
| Vince Caro | .... | original dialogue mixer | |
| Dustin Cawood | .... | sound effects editor | |
| Frank Clary | .... | foley recordist | |
| John Countryman | .... | digital sound transferer | |
| Teresa Eckton | .... | sound effects editor | |
| Coya Elliott | .... | assistant supervising sound editor | |
| Sean England | .... | foley recordist | |
| Jonathan Greber | .... | digital sound transferer | |
| E.J. Holowicki | .... | additional sound designer | |
| Bobby Johanson | .... | additional dialogue recordist | |
| Doc Kane | .... | original dialogue mixer | |
| Zach Martin | .... | sound mix technician | |
| Tom Myers | .... | sound re-recording mixer | |
| Al Nelson | .... | sound effects editor | |
| Juan Peralta | .... | foley editor | |
| Frank Rinella | .... | foley mixer | |
| Ronald G. Roumas | .... | recordist | |
| Kevin Sellers | .... | foley editor | |
| Michael Semanick | .... | sound re-recording mixer | |
| Tony Sereno | .... | sound mix technician | |
| Steve Slanec | .... | adr editor | |
| Clint Smith | .... | sound recordist | |
| Patrick Spain | .... | assistant mix engineer | |
| Dennie Thorpe | .... | foley artist | |
| Jana Vance | .... | foley artist | |
| Matthew Wood | .... | supervising sound editor | |
| Caroline Cannizzaro | .... | foley recordist (uncredited) | |
Visual Effects by | |||
| Frank Aalbers | .... | crowds artist | |
| Frank Aalbers | .... | effects artist | |
| Frank Aalbers | .... | global tech | |
| Alexander Adell | .... | technical director | |
| Josh Anon | .... | crowd simulation artist | |
| Chris Bernardi | .... | senior shading artist | |
| Tim Best | .... | master lighting artist | |
| Jason Bickerstaff | .... | character modeling lead | |
| Jason Billington | .... | digital artist: ILM | |
| Jeremy Birn | .... | lighting technical director | |
| Stacy Bissell | .... | production coordinator: ILM | |
| Stacy Bissell | .... | visual effects production coordinator: ILM | |
| Neil Blevins | .... | digital artist | |
| Dana Bonilla | .... | key set production assistant (kerner optical ) | |
| Brian Boyd | .... | master lighting artist | |
| Stephan Vladimir Bugaj | .... | shading technical director | |
| Christopher M. Burrows | .... | set shading lead | |
| Gordon D.B. Cameron | .... | production software engineer | |
| Brian Cantwell | .... | layout supervisor | |
| Lanny Cermak | .... | digital artist: ILM | |
| Kai Chang | .... | digital artist: ILM | |
| Chris Chapman | .... | development engineer | |
| Chris Chapman | .... | effects sequence lead | |
| Jiayi Chong | .... | crowd simulation technical director | |
| Bryan Cline | .... | lighting optimization engineer | |
| Trent Crow | .... | shading technical director | |
| John Duncan | .... | model maker | |
| Simon Dunsdon | .... | CG artist: pre-visualisation/layout/modelling | |
| Sean Feeley | .... | software development | |
| Susan Fisher | .... | rendering supervisor | |
| Ziah Sarah Fogel | .... | crowds lead | |
| Christopher Lee Fowler | .... | lighting technical director | |
| Sarah Fowler Deluna | .... | shading technical director | |
| Diego Garzon | .... | effects technical director | |
| Tolga Goktekin | .... | visual effects artist | |
| Patrick Guenette | .... | shading technical director | |
| Christopher James Hall | .... | visual effects production supervisor: Kerner Optical | |
| Lou Hamou-Lhadj | .... | character modeling and articulation artist | |
| Nigel Hardwidge | .... | supervising technical director | |
| Mark Thomas Henne | .... | crowds supervisor (as Mark T. Henne) | |
| Kearsley Higgins | .... | sweatbox manager | |
| Edward Hirsh | .... | visual effects supervisor: ILM (as Ed Hirsh) | |
| Seth Holladay | .... | effects artist | |
| Richard E. Hollander | .... | visual effects supervisor: live action unit (as Richard Hollander) | |
| Lucas Ives | .... | technical development lead | |
| Andrew Jimenez | .... | digital artist | |
| Jason Johnston | .... | effects sequence lead | |
| Mike Jutan | .... | shading technical director | |
| Fran Kalal | .... | shading technical director | |
| Brad Kane | .... | effects manager | |
| Paul Kanyuk | .... | crowds artist | |
| Jae Hong Kim | .... | technical director (as Jae H. Kim) | |
| Jeanmarie King | .... | visual effects producer: ILM (as Jeanie King) | |
| Kristifir Klein | .... | set modeling lead | |
| Keith Daniel Klohn | .... | development engineer | |
| Keith Daniel Klohn | .... | effects sequence lead | |
| Tashana Landray | .... | software development | |
| Alison Leaf | .... | set dresser | |
| William Austin Lee | .... | character modeler (as Austin Lee) | |
| William Austin Lee | .... | character rigger (as Austin Lee) | |
| David MacCarthy | .... | effects supervisor | |
| Nathan Matsuda | .... | visual effects | |
| Ian Megibben | .... | lighting technical director | |
| Carlos Monzon | .... | digital compositor | |
| David Munier | .... | sets supervisor | |
| Shawn Neely | .... | production engineering | |
| George Nguyen | .... | technical director | |
| Tom Nixon | .... | effects technical director | |
| Michael O'Brien | .... | production engineering | |
| Brandon Onstott | .... | shading technical director | |
| Eric Peden | .... | rendering intern | |
| Maxwell Planck | .... | global tech | |
| Maxwell Planck | .... | shading technical director | |
| Evan Pontoriero | .... | modeler | |
| Afonso Salcedo | .... | lighting artist | |
| Christopher Sanchez | .... | technical director | |
| Julien Schreyer | .... | lighting artist | |
| Gary Schultz | .... | modeling artist | |
| Manish Sharma | .... | technical director intern | |
| Sajan Skaria | .... | technical director | |
| Suzanne Slatcher | .... | technical director | |
| Keith Stichweh | .... | technical director | |
| Eunkyoung Lee Swearingen | .... | lighting artist | |
| Pat Tubach | .... | digital production supervisor: ILM (as Patrick Tubach) | |
| Gaston Ugarte | .... | modeling technical director | |
| Michael Van Eps | .... | digital paint and roto supervisor | |
| Esdras Varagnolo | .... | lighting | |
| Jeremy Vickery | .... | lighting artist | |
| Kiril Vidimce | .... | software engineer | |
| John Warren | .... | technical pipeline supervisor | |
| Bill Watral | .... | effects artist | |
| Dan Weeks | .... | production engineering | |
| Emma Weyerman | .... | shading technical director | |
| Andy Whittock | .... | digital artist | |
| Derek Williams | .... | set dressing lead | |
| Bill Wise | .... | character supervisor | |
| Athena Xenakis | .... | character shading lead | |
| Bill Zahn | .... | digital painter | |
Editorial Department | |||
| Colin Bohrer | .... | editorial manager | |
| Noelle P. Case | .... | editorial manager (as Noelle Page) | |
| Terry Claborn | .... | color timer | |
| Axel Geddes | .... | second film editor | |
| Anthony Greenberg | .... | first assistant editor (as Anthony J. Greenberg) | |
| John Hazelton | .... | projection | |
| Jason Hudak | .... | associate editor | |
| Glenn Kasprzycki | .... | media control transfer operator | |
| Bill Kinder | .... | director of editorial and post-production | |
| Kevin Nolting | .... | additional editor | |
| Jim Passon | .... | color timer | |
| Freesia Pearson | .... | post-production assistant | |
| Cynthia Slavens | .... | post-production supervisor: video | |
| Nicholas C. Smith | .... | associate editor | |
| Renee Steen | .... | second assistant editor | |
| Robert Tachoires | .... | media control manager | |
Music Department | |||
| Bill Bernstein | .... | music editor | |
| Julian Bratolyubov | .... | music preparation | |
| Ashley Chafin | .... | music production coordinator | |
| Greg Hayes | .... | score recordist | |
| Jill Iverson | .... | music production assistant | |
| Carl Johnson | .... | orchestrator | |
| Tom MacDougall | .... | music supervisor | |
| Larry Mah | .... | digital score recordist | |
| Chris Montan | .... | executive music producer | |
| Leslie Morris | .... | music contractor | |
| Thomas Newman | .... | conductor | |
| Andrew Page | .... | music production manager | |
| Thomas Pasatieri | .... | orchestrator | |
| J.A.C. Redford | .... | orchestrator | |
| Tim Rodier | .... | music preparation | |
| Patrick Spain | .... | scoring assistant engineer | |
| Armin Steiner | .... | music recordist: orchestra | |
| Siobhan Sullivan | .... | music production assistant | |
| Gary K. Thomas | .... | orchestrator | |
| Thomas Vicari | .... | score mixer (as Tommy Vicari) | |
| Thomas Vicari | .... | score recordist (as Tommy Vicari) | |
| Michael Ziner | .... | assistant music editor (as Michael Zainer) | |
Other crew | |||
| Kirsten Ames Staubli | .... | assistant production accountant | |
| Cassandra Barbour | .... | rights and clearances | |
| Malcolm Blanchard | .... | software developer | |
| Susan Bradley | .... | title designer | |
| Jim Capobianco | .... | titles | |
| Alden Chew | .... | software engineer: tools | |
| Per Christensen | .... | RenderMan development | |
| Roger Deakins | .... | visual consultant | |
| Ross Dickinson | .... | systems administrator | |
| Tyler Fazakerley | .... | systems administrator | |
| Remy Galang | .... | systems administrator | |
| Grant Gatzke | .... | a/v engineer | |
| Susan Boylan Griffin | .... | technical writer | |
| Jon Hadden | .... | systems administrator | |
| Michael Hitson | .... | facility technician | |
| Ling Hsu | .... | systems administrator | |
| Jason 'Jayfish' Hull | .... | systems administrator | |
| Jose Ignacio | .... | systems administrator | |
| Ben Jordan | .... | software engineer | |
| Ryan Kautzman | .... | software engineer | |
| Jason Kim | .... | software engineer | |
| Mark Leone | .... | senior software engineer | |
| Marty Lew | .... | systems administrator | |
| Matthew Lindahl | .... | systems administrator | |
| Aaron Luk | .... | software developer | |
| Meagan Miller | .... | production assistant | |
| BoB 'Naked BoB' Morgan | .... | systems administrator | |
| Terry Lee Moseley | .... | lead system administrator | |
| Olivier Mouroux | .... | international publicity | |
| Dennis Muren | .... | visual consultant | |
| Adrian Ochoa | .... | character department manager | |
| Cory Omand | .... | software engineer | |
| Silvia Palara | .... | software engineer: tools | |
| Martin Reddy | .... | software lead | |
| Laura Sevier | .... | rights and clearances | |
| Burton Siu | .... | software test engineer | |
| David Sotnick | .... | systems administrator and support | |
| Mike Sundy | .... | systems administrator | |
| Andy Thomas | .... | systems administrator | |
| Michael Todd | .... | technical director | |
| Erick Tryzelaar | .... | rendering systems administrator | |
| Rudy Vucelich | .... | color calibration technician | |
| Jay Weiland | .... | systems administrator | |
| Ian Westcott | .... | systems administrator | |
Thanks | |||
| David Fincher | .... | special thanks | |
| Steve Jobs | .... | special thanks | |
| Justin Wright | .... | in memory of | |
Production CompaniesDistributors
- Audio Visual Entertainment (2008) (Greece) (theatrical)
- Buena Vista International (2008) (Argentina) (theatrical)
- Buena Vista International (2008) (Bolivia) (theatrical)
- Buena Vista International (2008) (Brazil) (theatrical)
- Buena Vista International (2008) (Chile) (theatrical)
- Buena Vista International (2008) (Singapore) (theatrical)
- Buena Vista Sony Pictures Releasing (BVSPR) (2008) (Russia) (theatrical)
- Gativideo (2008) (Argentina) (DVD)
- Walt Disney Studios Home Entertainment (2009) (Switzerland) (DVD)
- Walt Disney Studios Home Entertainment (2008) (Netherlands) (DVD)
- Walt Disney Studios Home Entertainment (2008) (Netherlands) (DVD) (Blu-Ray Disc)
- Walt Disney Studios Home Entertainment (2008) (USA) (DVD)
- Walt Disney Studios Home Entertainment (2008) (USA) (DVD) (Blu-Ray Disc)
- Walt Disney Studios Motion Pictures Finland (2008) (Finland) (theatrical)
- Walt Disney Studios Motion Pictures (2008) (Switzerland) (theatrical)
- Walt Disney Studios Motion Pictures (2008) (Germany) (theatrical)
- Walt Disney Studios Motion Pictures (2008) (Japan) (theatrical)
- Walt Disney Studios Motion Pictures (2008) (Netherlands) (theatrical)
- Walt Disney Studios Motion Pictures (2008) (Sweden) (theatrical)
- Walt Disney Studios Motion Pictures (2008) (Singapore) (theatrical)
- Walt Disney Studios Motion Pictures (2008) (USA) (theatrical)
- Industrial Light & Magic (ILM) (visual effects: live action sequences)
- Kerner Optical (practical effects elements)
- Apple computer-generated voices courtesy of
- Corbis images
- Deluxe prints
- Entertainment Clearances rights and clearances
- Getty Images images (as Getty)
- Kerner Optical live action production
- Newman Scoring Stage, Twentieth Century Fox Studios, The music recorded and mixed at (as Newman Scoring Stage - Twentieth Century Fox Studios)
- Paramount Pictures Scoring Stage M music recorded and mixed at
- Skywalker Sound post-production sound services
- Sony Scoring Stage music recorded and mixed at (as Sony Pictures Scoring Stage)
- Technicolor prints
- Village Recorder, The music recorded and mixed at (as The Village)
- Walt Disney Records soundtrack
- Walt Disney Studios Negative Cutting negative cutting
Additional Details
Parents Guide:
View content advisory for parentsRuntime:
98 minCountry:
USALanguage:
EnglishColor:
ColorAspect Ratio:
2.35 : 1 moreCertification:
Ireland:G | Australia:G | UK:U | Netherlands:AL | Brazil:Livre | South Africa:A | Canada:G | Iceland:L | Singapore:G | Malaysia:U | USA:G (certificate #44354) | Finland:K-3 | South Korea:All | Hong Kong:I | New Zealand:G | Argentina:Atp | Peru:PT | Sweden:Btl | France:U | Switzerland:0 (canton of Geneva) | Switzerland:0 (canton of Vaud) | Mexico:AA | Denmark:7 | Norway:7 | Portugal:M/6 | Philippines:G (MTRCB) | Germany:o.Al.MOVIEmeter: 
14% since last week
why?
Fun Stuff
Trivia:
Andrew Stanton and Pete Docter outlined the film before Toy Story (1995) was completed, but production would not resume until after Stanton completed Finding Nemo (2003). moreGoofs:
Factual errors: While WALL·E is traveling in outer space, the stars in the background are blinking as we would see them do on a starry night. In reality, the apparent blinking is due to the atmosphere between the star and the observer, so in space this phenomenon would not occur. moreQuotes:
[first lines]Voice in commercial: Too much garbage in your face? There's plenty of space out in space! BnL StarLiners leaving each day. We'll clean up the mess while you're away.
more
Soundtrack:
Don't Worry Be Happy moreFAQ
Why is Shelby Forthright portrayed by a live actor while all passengers and crew on the ship are animated?Is there a scene after the credits?
Are there any references to other movies?
more
more
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I just saw the screener in the theater and was amazed. I am the kind of person that has never liked science fiction movies. I have tried all the famous movies in this genre, like Star Wars, The Matrix and A Space Odyssey and hated all of them. Next to me in the theater were a couple of Sci-fi-lovers and they loved Wall-E beyond belief. I did too, however. Wall-E is: A) A great story B) Packed with fun and humor C) Built up with memorable characters D) Fun for all ages E) Revolutionary in animation techniques
The world Pixar creates is so credible, you forget it is animation. Thumbs up for Wall-E as well, he is such a cute and adorable character, you will fall in love with him immediately. I loved EVE as well.